So as I've already said numerous times on this site and will probably say again, I'm a little bit obsessed with trains. The result is that I ultimate spend an inordinate amount of time reading books about trains and then blogging about them here. Anyway, this week I'm looking at another railroad history book, in this case Battle For the North, which specifically talks about the railroad rivalry between the Caledonian and North British Railways in Scotland in the mid to late nineteenth century. At the center of this narrative, however, is the Tay Bridge Disaster, which McKean focuses a lot of his resources upon. In a way, it feels almost like two books that have been welded together rather than one.
For those of you that aren't familiar with the history, the Tay Bridge Disaster of 1879 was a horrible accident where the bridge across the Tay Estuary in Scotland collapsed on a windy December night while a train was crossing it. Somewhere around seventy people died as the train plunged into the icy water below and it became sensational news at the time, seen as Victorian engineering being brought down for its hubris. There has been significant debate afterwards, of course, as to what exactly caused the bridge to collapse. The engineer who designed the bridge, Thomas Bouch, was condemned by a minority report from the Board of Trade Inquiry, which became the popular explanation. In this book, McKean seeks to explain why the bridge collapsed and rehabilitate Bouch.
The biggest problem I had with this book was that McKean tries to place the Tay Bridge's construction, collapse, demolition, and reconstruction, into the larger context of the fierce competition between the Caledonian and North British Railways, who sought to become the railway operating in Scotland. Although the competition between the lines explains why the North British decided to bridge not only the Tay but eventually also the Forth Estuaries, no small feats in and of themselves, I feel like the Tay narrative is almost a story apart from the competitive story between the North British and the Caledonian. I respect and appreciate McKean's efforts to place the entire story into context, but the preceding and following chapters feel somewhat unconnected.
The Tay Bridge gets the most focus in the book, with chapters on its construction, its fall, the inquiry into its collapse, and the eventual reconstruction. McKean's main effort, as I said, is to rehabilitate Bouch who has been castigated for the bridge collapse and provide alternate explanations for the disaster. McKean does bring up a good point that if the bridge design and construction had been completely inadequate, why did only the thirteen High Girders, the central part of the bridge, collapse when the rest of the bridge remained intact through the gale? If Bouch's design had been entirely inadequate for wind resistance, or the materials used inferior, shouldn't the entire bridge have collapsed? These are excellent points, but McKean fails to provide a satisfactory explanation for the facts. It cannot be refuted that the materials utilized for the bridge were inferior, with numerous severe problems recorded at the foundry where the cast iron parts were produced, which reflects badly on Bouch as he at least failed to place competent administrators in charge of the foundry work. Inadequate and improper maintenance was perhaps partially to blame, but that's more the fault of the North British administration who oversaw the maintenance of the bridge. But what caused the collapse?
McKean advances the theory, which Bouch himself supported, that the second class passenger carriage of the train jumped the track and with the guard van jumped the track and slammed into the girders, causing the structure to topple over. McKean argues that one of the high girder piers, which had actually collapsed in a storm during construction and had been re-erected, had been fatally weakened and warped, allowing the second class carriage to jump the track in the first place. Although this is possible, the evidence that McKean is able to marshal for this hypothesis is circumstantial at best, perhaps most critically pieces of wood with tell-tale grooves left by the wheels of the passenger carriage which are reported by eyewitnesses, but were burned as fuel within hours of being recovered from the ocean leaving no solid evidence. As I'm not an engineer I'm not really able to provide my own hypothesis. I have a vague idea that maybe the High Girders, which had their girder truss on top of the bridge rather than below to provide more clearance for ships, were too top heavy, but I have no evidence or skill to prove this beyond a vague supposition. Ultimately because the evidence was recovered hastily with a view towards reopening the shipping channel rather than forensic investigation, the answer will probably remain unknown.
By contrast, the construction of the Forth Bridge, a massive truss and cantilever edifice which still stands to this day, receives only one chapter. It certainly seemed to be plagued by less problems than the original Tay Bridge construction and as it has withstood the elements for over a century there has been no scandal of its collapse. The book ends with a strange chapter on races between London and Aberdeen taken between the Caledonian and North British Railways, but it's an event that occurred over a few summer months and ended just as abruptly. McKean condemns the competition as ultimately wasteful because it resulted in little more than a tie.
Overall this book is...okay at best. It's an interesting look into railway practices in the nineteenth century and I rather enjoyed the revelation that British railways weren't necessarily run any better than their American counterparts. However in trying to talk about railroad competition and the Tay Bridge, it feels like McKean pushed two potentially separate books together into one. Finally I find McKean's efforts to excuse Bouch of any and all wrongdoing is protesting a little too much and I think we may never know for certain why exactly the bridge collapsed.
- Kalpar
Showing posts with label British. Show all posts
Showing posts with label British. Show all posts
Thursday, July 28, 2016
Thursday, March 26, 2015
Black Mirror
This week I'm going to do something a little different and talk about a tv show which (as of late March 2015) is currently available for viewing on Netflix. This show is called Black Mirror, and as is typical of British shows is fairly short, containing a total of just six episodes. (Well, apparently seven but there's only six on Netflix at the moment.) And while I'll be perfectly honest that I don't care for one or maybe two of these episodes, the rest are incredibly fantastic and in my case left me thinking about them for the rest of the day, or even the rest of the week.
Black Mirror is a science-fiction anthology show, much in the same vein as The Twilight Zone, which is probably one of my favorite TV shows. I say science-fiction although some of the stories could happen with existing technology, but most of the stories have a definite science-fiction element to them. However the creators (mainly Charlie Brooker) utilize their stories to make commentary about society today, again very much in the vein of The Twilight Zone. And it's very easy for social commentary to get a little heavy-handed, and that sort of leaks through in a couple of episodes, but at the same time it's really thought-provoking and interesting. And perhaps, in forty or fifty years some of the episodes will be just as dated as some of the more Cold War-oriented Twilight Zone episodes will be, but I like to think that maybe a couple will become timeless classics as well.
As an anthology series, each episode contains its own story, but overall there's definitely a rather dark theme to the series. It tackles various subjects such as human infatuation with media, our relationship with technology, grief and loss, crime, and politics. And overall the episodes are really good because they left me thinking about them throughout the day. Even enough for me to write a blog post about them and tell people they should go watch this show as well. Even if the episode seems a little bit off the mark, it's something that you can talk about. And that's probably one of the greatest powers of tv as a medium, the ability to get us to think and talk about subjects that may not normally cross our minds. That's the power of any medium, really, and tv has definitely made attempts to get us to think about things, but very often shows are just about entertainment. Black Mirror is one of those gems that manages to do both, and I think more people should check it out.
If any of my readers are fans of The Twilight Zone, which I'm going to take a flying leap and guess that they probably are, then I highly recommend that they go and check out Black Mirror. I guarantee you won't be disappointed. (Just don't get turned off by the first episode, okay?)
- Kalpar
Black Mirror is a science-fiction anthology show, much in the same vein as The Twilight Zone, which is probably one of my favorite TV shows. I say science-fiction although some of the stories could happen with existing technology, but most of the stories have a definite science-fiction element to them. However the creators (mainly Charlie Brooker) utilize their stories to make commentary about society today, again very much in the vein of The Twilight Zone. And it's very easy for social commentary to get a little heavy-handed, and that sort of leaks through in a couple of episodes, but at the same time it's really thought-provoking and interesting. And perhaps, in forty or fifty years some of the episodes will be just as dated as some of the more Cold War-oriented Twilight Zone episodes will be, but I like to think that maybe a couple will become timeless classics as well.
As an anthology series, each episode contains its own story, but overall there's definitely a rather dark theme to the series. It tackles various subjects such as human infatuation with media, our relationship with technology, grief and loss, crime, and politics. And overall the episodes are really good because they left me thinking about them throughout the day. Even enough for me to write a blog post about them and tell people they should go watch this show as well. Even if the episode seems a little bit off the mark, it's something that you can talk about. And that's probably one of the greatest powers of tv as a medium, the ability to get us to think and talk about subjects that may not normally cross our minds. That's the power of any medium, really, and tv has definitely made attempts to get us to think about things, but very often shows are just about entertainment. Black Mirror is one of those gems that manages to do both, and I think more people should check it out.
If any of my readers are fans of The Twilight Zone, which I'm going to take a flying leap and guess that they probably are, then I highly recommend that they go and check out Black Mirror. I guarantee you won't be disappointed. (Just don't get turned off by the first episode, okay?)
- Kalpar
Friday, December 30, 2011
Eddie Izzard: Executive Transvestite
Bonjour! Hola! Tak! Da! Ciao! I would like to thank Kalpar for allowing the British Empire to lay claim to his arsenal. We were initially preparing to come over and steal it with a cunning use of flags what with the arsenal being necessary for strategic sheep purposes and all. I am Carvan, her Majesty's representative to the arsenal and will attempt to make the bloody thing less Prussian and a little more "men running about in women's clothing and doing silly things." I think it's part of the citizenship requirement for the UK at this stage. Think about it. Hugh Laurie wore a dress:

Dr. House trying to avoid Cuddy, or Hugh Laurie proving his Britishness? You decide!
The Monty Python crew regularly wore dresses:

Pictured above: Why I am British.
Sir Ian McKellen:

Gandalf, bitches.
And of course, the Queen wears a dress.
Freddy Mercury: The one true Queen of England
Point made.
Speaking of men running about in women's clothing and doing silly things, that sounds like a perfect segue into our topic for the day! What luck! One of the foremost men to advance the whole women's clothing/silliness front is the English comedian Eddie Izzard. Those of you who are already familiar with him might have picked up on some of the homages dropped in the introduction, and those of you who did not pick up on those should watch the following clip. (Parental Advisory warning: being a Brit, and having a sense of maturity about the appropriateness of language, Eddie has no qualm about dropping the f-bomb in the middle of his routine and frequently does so. Suck it up Yanks.)
Right. Let's get on with it then.
Eddie Izzard is a self described action-executive transvestite; this is of course in comparison to the "f****** weirdo transvestites" like J. Edgar Hoover. Usually at the beginning of his routine he addresses the fact that he will be doing the entire act in drag, and makes a few self-referential jokes about it to put the audience at ease before getting into his routine proper. He also makes the distinction between transvestites and drag queens as well, identifying himself as a male lesbian rather than a drag queen, and pointing out that most transvestites fancy women rather than men. So if you ever get into a conversation about transvestites for some reason (you're at a Rocky Horror Picture Show screening?) and someone makes the assertion that transvestites are necessarily gay, you can correct them in good faith. When they ask how you know this, you can tell them that your information comes from an executive transvestite and is therefore reliable. Should they continue to press you for information, you should probably stop talking because you are disturbing the people around you who are trying to shout obscenities at the screen and you're just being plain rude having a conversation in the middle of that.
Frank N. Furter is not amused.
As a comedian, Eddie Izzard attempts to tackle real-estate that a lot of people seemed to have left fallow. He tends to focus on material based in history, religion, British/American relations in general and tangents which just get absolutely absurd. His humor tends to focus more on wit, wordplay and weferences, rather than making jokes about stereotypes or necessarily relying on crude humor. Occasionally Eddie even turns his comedy into legitimate social commentary.

Not quite like this though. That would be silly
However, while his choice of material does lead Eddie down the path of being somewhat high-brow or a little too esoteric, Eddie talks about these things in a very fluid style and conversational tone which I think allows most people to understand him well enough, even if some of the content flies over their heads. While his style borders on rambling at times, and he occasionally derails himself in his routines, Eddie eventually finds his way back to the main thread of his routine without missing much of a beat. And even if a joke falls flat or doesn't get the reaction he seemed to expect of it, Eddie turns his own gaff into a joke as well; this usually takes the form of Eddie writing on his hand and quipping "Never do that bit again" or "Lost everyone. No one understands that." His style and wit allows for his stand up to become very quotable in conversation without having to go into a whole set to get to the joke. So you too can seem either witty in your own right to people who are unfamiliar with his routines, or clever enough to quote him to people who do know him. Win win!
I think one of the things that I very much admire about Eddie Izzard is how comfortable he is with himself and his identity. For one thing, openly being a transvestite takes some amount of courage. When I mentioned before that Eddie begins many of his routines with jokes about his being in women's clothing, he is never self-deprecating as if he feels the need to apologize for the fact he is up there in heels and make-up. He is who he is and accepts that. Admirable I think. Additionally, the writing-on-the-hand bit when he makes a mistake or bad joke during a routine is an excellent way I think of graciously accepting the situation rather than becoming flustered for not having a joke kill every time. He simply has an aura of confidence about himself that I find to be rather praiseworthy and makes me enjoy him all the more.
Incidentally dear readers, should your interest be piqued enough to seek out Eddie Izzard, YouTube is an excellent resource to find what you might enjoy. Dress to Kill and Glorious are excellent places to start and much of what is on YouTube comes from those sets. Also, iTunes has an interview with Eddie Izzard (called Live from London: Eddie Izzard) under the podcast section. It is very much worth a listen, and had a lot of the same wordplay and absurdism Eddie has in his stand-up routines while also getting to know him a little as a person as well. Also, the podcast is free, so that's nice too.
Hope you've enjoyed the inaugural British post in the arsenal and I look forward to our next meeting. Until then, God Save the Queen.
Seriously. No one can replace this man.
- Carvan
Labels:
British,
Carvan,
comedian,
comedy,
Eddie Izzard,
transvestite
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